Just finished this
"Southern Gothic" novel. First thought-I would never have read this if I'd known it was an Oprah's Book Club Selection. I never willingly submit to mass tastes (oh, all right, I'm a huge Beatles' fan), but I would've looked askance at Oprah's nod-she of the
Eckhart Tolle endorsement and similar fluff.
Second thought-But this is s reasonably good book. Yes, it's 150 pages worth of ideas in a 307-page package, and yes, Flannery O'Connor did Southern Gothic immeasurably better-but to say author Carson McCullers is no O'Connor isn't saying much. Who is?
THIALH, written during the Depression, does feature its share of freaks, like many of O'Connor works-such as two male deaf-mutes in a love affair, doomed by one of the mutes' kleptomania; a middle-aged, perfume-wearing male cafe owner who yearns after a teenaged female customer; a dirty, dazed, violent radical who hopes to find a receptive world for his ideas; and a black radical doctor who is perpetually angry at his simple but mostly happy children, from whom is estranged. The doctor named one of his sons "Karl Marx." For the most part bad things happen to this cast of reasonably decent, if often socially marginal people.
And yes, I took on this book, with so many other books awaiting me, because I thought it would be "like" O'Connor's work. As is probably obvious this book is more about radical politics than religion, though O'Connor's "Christ-haunted South" does reveal itself a few times, such as during conflicts between the cultured, apparently agnostic black doctor, who thinks Marx has supplanted Christ, and his unsophisticated, believing daughter. The (false) choice between striving for justice on this world and waiting for it in the next is set up by the two, in often moving fashion. There is also a fundamentalist preacher, who, like some of his type, doesn't always recognize that the "right words" must be matched with the right actions.
The book mentions, more than once, Gastonia, NC, which I found interesting because I have family there. Gastonia used to be an important mill town, and was mentioned in the book, I imagine, because of the violent, and pivotal,
Loray Mill strike of 1929, which ultimately resulted in the death of Gastonia's police chief and a female striker. The strike helped to set back union organizing in the South for generations.
It's amusing that the white radical issues a manifesto on "The Affinity between Fascism and Our Democracy"-shades of
Jonah Goldberg's "Liberal Fascism."
There is a movie based on McCullers' work, with Alan Arkin and Sondra Locke. I've never seen it but it has a good rating from IMDB voters.